Sound tablecloth

Memory of a slow forward in a cave, along an underground lake, on a flying carpet.Instrumental Music, 2017, 2’03s. Improvisation by Benoît Labourdette (synthesizer).Improvisation carried out in private, September 3, 2017 (Benoît Labourdette (...)

An imaginary path towards the end.Instrumental music, 2017, 1’20s. Improvisation by Benoît Labourdette (synthesizers).Improvisation carried out in private, September 12, 2017 (Benoît Labourdette (...)

Meditate for a moment. Let his brain put its own house in order.Instrumental music, 2017, 1’32s. Improvisation of Benoît Labourdette (synthesizers).Improvisation realized in private on October (...)

A child alone in his head dreams about the patterns of the tablecloth on the grass.Instrumental, 2014, 1’07s. Composition of Benoît Labourdette (synthesizers).

Lying down, not being able to move, but turning your head, trying to look behind you.Instrumental music, 2017,2’19s. Improvisation of Benoît Labourdette (synthesizers).Improvisation realized under private seing on January (...)

Forget yourself in a gentle rhythm that drifts.Instrumental music, 2017, 3’21s. Improvisation by Benoît Labourdette (synthesizers).Public improvisation carried out as part of a creative evening “Le fil”, June 30, 2017 (Benoît Labourdette (...)

And sail the wave to the soul flying over forgotten tablecloths.Instrumental music, 2017,2’45s. Composition by Benoît Labourdette (synthesizers and samples of orchestras).

Leslie entered this church, and she didn’t believe what she was told, despite her efforts.Instrumental music, 2018, 2’37s. By Benoît Labourdette (Arturia synthesizer).

’A scenario that gives, on reading, the sensation of the soundtrack of the film, will have a rare, extremely convincing evocative power. Physiological thinking of the scenarioA film is, physiologically, an object that addresses only two of our (...)

A selection of music that I have composed and performed for my films.

Musical creations, often improvised, usually made with an analog synthesizer, in public or private. For improvisations, the general principle is to play a single instrument, to create the whole sound live. No pre-existing rhythm on which to (...)

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