A film by Benoît Labourdette (1’24s, silent, 2018).

Musical and pictorial exchanges of looks, faces, sexes, bodies, times...

A film by Benoît Labourdette (4’19s, 2018).

“I am absolutely convinced that anyone, without any special knowledge or skills, without having to look at I don’t know what so-called native dispositions, can devote themselves to art with every chance of success.” Jean (...)

Revisit the principles of four-colour printing, with inks and ashes. Fifteen “numerical paintings”.Mechanical colour reproduction does not use the same primary colours as in painting. There are only three: Red, Green and Blue. On computer (...)

A film by Benoît Labourdette (3’14s, 2017).

At night, when anxiety is there, if one dares to look beyond the ashes of life, one can see an image of salvation.

A film by Benoît Labourdette (1’21s, silent, 2017, pseudonym: Jean-Jacques).

To look at each other, to face our violence.

Video creation by Benoît Labourdette (3’46s, 2014).

Memories, drawned on walls, faces.

A film by Benoît Labourdette (2’04s, silent, 2018).

Abyss of pictorial representations over time.

Film by Benoît Labourdette (3’34 s, 2016).

Reading of the last paragraphs of “’Remembrance of Things Past” by Marcel Proust. Links between literature, painting and movement.

A film by Benoît Labourdette (1’55s, silent, 2017, pseudonym: Bob Boss).

When nature brings us back to the Sacred.

A film by Richard Texier and Benoît Labourdette (8’51s, 2014).

Film Richard Texier’s paintings with a drone...

A film co-directed by Alain Fleischer and Benoît Labourdette (18’01s, 2016). Music by Benoît Labourdette.

An UAV in the Picasso Museum in Paris just before its reopening in 2014. An unusual visit to a place such that you will never see it again. And Picasso speaks...

A film by Sylviane Bertrand and Benoît Labourdette (1’, silent, 2018).

A simple painting can create controversy in a couple.

A ghost flutters in his place of honor.Instrumental, 2016, 18’01s . Composition and interpretation of Benoît Labourdette (synthesizers).Film co-directed by Alain Fleischer and Benoît Labourdette.

Film by Benoît Labourdette (8’34s, 2016).

Documentary on the painting exhibition “The wire” by Benoît Labourdette, Paris, October 2016.

Artwork digital video. Benoît Labourdette (5’51s, 2014).

Abstract shapes, children color from the sky.

Video creation by Benoît Labourdette (3’47s, 2014).

Humans make maps, marks, before go into action.

Series of 25 paintings on paper 50x65cm.“The coal consumed in the fireplace, which has lasted all spring, is now used to, at the time of the arrival of the summer, write the sensation of time that has gone, a revival that promises, engraving (...)

Collective film (3’49s, 2018).

When everyone finds in himself his richness, his inner joy.

A film by Benoît Labourdette (9’54s, 2014).

A mystery of the act of painting, unveiled with Richard Texier.

Collective film (0’54s, 2019).

How do we find good reasons to leave and fight?

Series of 100 paintings by Benoît Labourdette (acrylic and mixed media on canvas) format of 100x100cm in format 12x12cm, 2016.Exhibition in the studio of the artist in the fourth quarter 2016.«Initially, I had a film project : work inside the (...)

Video creation by Benoît Labourdette, 3’12s, 2014.

Meet the drawing of small nation on the pavement.

Conception, design and production of editorial and exhibition website of painter / filmmaker. www.virginiehoudet.comChallenges and objectives This website was to present an exhibition of paintings. It should also be a place to promote the work (...)

Publication of an article in the special addon of ArtPress “Richard Texier, PANTHEO vortex” (June-July 2014).Download complete article (bilingual english-french)ArtPress devoted a special addon to Richard Texier, French painter and sculptor, (...)

Analysis of a success.

A 10-second video posted on the social network TikTok on August 18, 2020 has made, one month later, more than 400 million views, and the highest number of “I like” since the beginning of this social network. Hypothesis on the reasons for this (...)

Painting is the original material of plastic work, which is intimately connected with photography, because it also contains the time of its gesture and its imagination.

In 2000, I designed a series of 12 films to be broadcasted in loops in different precise ways. “2D” Aesthetics of these purely plastic and infographic films is set in relation to the fact that the television screens at the time have lost their (...)