Video capture of a collective creation directed by Benoît Labourdette. Played on March 26, 2016 at the CNSAD (15 minutes).
“Today, almost everyone takes the stage on digital networks, takes a presence in the gaze of others by self-portraits interposed. What about the place of our lives? What can the theater stage, representation, and poetic gesture put into motion in (...)
What methodology should be adopted to build cultural projects that have the capacity to tame uncertainty and thus become more deeply rooted in their objectives? Methodological proposal, based on the thesis of Nassim Nicholas Taleb, the (...)
Collective film (7’22s, 2017).
Words dance to make racism and discrimination vanish.
A film by Benoît Labourdette (2’04s, silent, 2018).
Abyss of pictorial representations over time.
What scares us is often what is unknown to us. Including sounds.Instrumental Music, 2017, 1’45s. Improvisation by Benoît Labourdette (synthesizers).Improvisation carried out in private, September 8, 2017 (Benoît Labourdette (...)
A film by Benoît Labourdette (9’28s, 2016).
Sensitive sharing of therapeutic indications to fight against fear, this kind of fear present inside of each.
A film by Benoît Labourdette (2’04s, silent, 2019).
Reasoned bibliography of our relationship with future in 2019.
An exhibition “Witnesses of deportation” was proposed to the City Council of the 3rd district of Paris in April 2014.April 28, 2014, as part of the evening tribute to Charlotte Delbo, screening of the film « Spectra » by Benoît Labourdette, in (...)
Inventing art forms, filmed with drone.The Company, place of contemporary art in Marseille, led by Paul-Emmanuel Odin, invited me to offer to local youth, in the central and very popular in Marseille where it is an audiovisual creative (...)
Loop video by Benoît Labourdette (4’40s, 2000).
It was the beginning of the internet. Evocation of the fascination of browsing.
A film by Benoît Labourdette (0’54s, silent, 2019).
Everything turns away and turns on social networks.
Third album in 2002, consists of a mixture of acoustic instruments, singing and real sounds musically used. The voice is much more present than in the two previous albums. They’ll hunt me in winter (3’48s). Drowning daily (3’45s). Fear of others (...)
A film by Benoît Labourdette (2’27s, 2019).
Dead animals are helplessly witnessing human violence.
Video-vegetal installation.Into the International Garden Festival of Chaumont-sur Loire, the landscape architect Jean-Philippe Poirée-Ville has created a vegetable sculpture, in a basement, as a large liana levitating in the dark. I worked on (...)
In collective work, paradoxically, it is when one does not feel reassured that one works best. But how does it work?When we prepare for a job that involves the collective (leading a meeting, training, cultural action, giving a lecture, a (...)
Itinerant projection at night in Valencia, as part of the International Festival of Screenwriters, on the theme of the evolution of audiovisual writing according to technologies.The festival closes on 7 April 2018 with a screening of short (...)