The criteria of compositionWhen we do the framing of an image with a camera, we often use the classical criteria of image composition, inherited from the tradition of figurative painting. Which is quite natural. Things as we see them in the (...)
A film by Benoît Labourdette (3’10s, 2016).
Wonder about the foundations of language, its meaning and its forms... for men and machines.This film is part of the transmedia project “The singularity” (www.la-singularite.com).
Discovery of educational experiences using Virtual Reality, either as a tool or as an object for building critical thinking skills.Round table moderated by Benoît Labourdette, as part of the Digital Culture Meeting 2019, organized by (...)
From the point of view of perception, a film is only an illusion formed by our brain from visual and auditory stimuli. Images seen can produce sounds and vice versa. Each person mentally constructs a different film from the same film seen. Thus (...)
A film by Benoît Labourdette (1’, 2019).
Paris as seen by its paper directory in 2019.
A film by Benoît Labourdette (5’16s, 2011).
A meeting, like a thousand other meetings. No, it is your meeting.
March 10, 2010, invited by Serge Tisseron, I made a speech at iconic College INA, on the theme “The mobile phone is it the future of cinema?”.Text about the interventionThe phone is in almost any pocket at all times. Who forgets his cell (...)
www.sergetisseron.comWorkI supported: Support the definition of the project. Design and ergonomics. Web Development. Training editors (set text and images online).ProjectSerge Tisseron, psychoanalyst, specialist and other family secrets and (...)
Reflection and starting point for experiments.
Moving images are verticalizing. This is far from being anecdotal and has an impact on our representation of the world. What philosophical changes does this bring about? How can we explore them? How can we share them? Images are becoming more (...)