Racism

A film by Benoît Labourdette (2 ’, silent, 2017, pseudonym: C. B.).

Gently remove the dark layers to return to light.

A film by Benoît Labourdette (1’32s, silent, 2017, pseudonym: Elton).

Specific words that can lead to racism.

A film by Benoît Labourdette (1’38s, silent, 2017, pseudonym: Malcolm).

The face of racism are the words.

A film by Benoît Labourdette (34s, silent, 2017, pseudonym: Marc).

Syllabic transformations with far-reaching consequences.

Workshops for the production of animated films by visitors to an exhibition. As part of the exhibition“We and the others, biases to racism” at theMusée de l’ Homme in Paris, in partnership withArcadi, within the framework of Passeurs d’images en (...)

Vocational training for leaders, teachers and managers of social and cultural structures. Video as a Tool for Citizenship. The association Vatos Locos Video, directed by Ludovic Piette, has been involved in cultural activities around the cinema (...)

A film by Benoît Labourdette (1’23s, silent, 2017, pseudonym: A. A. A. A.)

Some of them manage to give up.

A film by Benoît Labourdette (1’57s, mute, 2017, pseudonym: D8FH3NITZ).

Let’s clearly define things.

A film by Benoît Labourdette (1’02s, silent, 2017, pseudonym : Zorro).

The processes that lead to racism.

Collective film (7’22s, 2017).

Words dance to make racism and discrimination vanish.

Film collectif (3’11s, 2019).

Teenage objects share their various dreams.

Collective film (4’36s, 2019).

In a movie theatre, the objects of our daily lives talk about life with social networks.

“Expanded” visit of the exhibition “We and the others, from prejudices to racism”, Museum of Man, Paris. On 25 June 2017 at 11 am. Unique tour. A guided tour like no other Animated films were produced by the visitors of this exhibition as part of (...)

A film by Benoît Labourdette (53s, silent, 2017, pseudonym: John B.).

Write the language differently, reinvent our place in the world.

A film by Sylviane Bertrand, Benoît Labourdette and Nordine Salhi (1’, silent, 2018).

Calligraphy of bodies, crossing a history of cinema, between black and white.

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