Bookstore

Leaving

A film by Benoît Labourdette (5’44s, 2018).

Life is freedom and love.

The takeoff

A film by Benoît Labourdette (0’51s, muet, 2022).

Dancing yourself and perhaps accompanying and enriching yourself by dancing together.

I want a kiss

A film by Barbara Gougeon, Linda Fardon, Benoît Labourdette (1’21s, silent, 2018).

A chaste encounter.

Entering the tree

A film by Benoît Labourdette (2’25s, 2022).

Alignment with one’s nature may be much closer than we think.

I don’t see anything or anyone

Foggy shore

ALCA and FRAC Aquitaine: Encountering audiences and a neighbourhood: co-constructing and experimenting an itinerant screening

Documentary on training, directed by Théo Rulin (3’18s, 2020).

Professional training through the concrete implementation of a cultural action rooted in the challenges of a territory, over two days (February 2020). Objectives To meet a changing neighbourhood and its inhabitants through an art education (...)

The wounded man

I am in a subway, isolated by music. I feel movement, and I see a woman who notices that a man of her age, in his thirties, is bleeding on his finger. She takes an interest in him, puts water on the handkerchief he is wrapping his finger in. (...)

Let’s imagine a moment - Episode 7

A film by Benoît Labourdette (5’18s, 2009).

Let’s imagine for a moment that this poster is a face...

Documentary Film meetings 2015 : “Tell me LED” ongoing creation

Public presentation of the film’s creative process “Tell me LED” (Benoît Labourdette, 2015, 65 minutes), Wednesday, October 14, 2015 at 16h. The Méliès Cinema (12 Place Jean Jaurès - 93100 Montreuil - France). Free entry.The Documentary Film (...)

Poster

A film by Benoît Labourdette (3’02s, 2012).

A touch film, made of paper and words.

Tree in the city

Series of 34 morning photo pauses.

Puissance et présence de l’arbre au cœur de la banlieue fabriquée.

Calligraphy #15

This particular tension, open or not, or even this fear sometimes linked to desire, which the characters themselves seem to express through their respective postures.

The fact that I work on the encounter, fortuitous, if you will, it really, really makes sense.

I take the freedom and the risk. And when encounters take place, it is a real of real existence that emerges, just as gametes that meet to give life to a being, it is chance that makes them meet and combine, and it is this chance, linked to all (...)

At the time

A film by Benoît Labourdette (2’31s, 2020).

The most beautiful memories can be without nostalgia, because life goes on.

The fact of being limited by time and then to make a lot of different encounters, to go to a lot of places, that’s what arouses my creation, a lot.

What matters is not the extraordinary image, what counts is what I tell with the image, even if it is a simple image.