Social networks

Video capture of a collective creation directed by Benoît Labourdette. Played on March 26, 2016 at the CNSAD (15 minutes).

“Today, almost everyone takes the stage on digital networks, takes a presence in the gaze of others by self-portraits interposed. What about the place of our lives? What can the theater stage, representation, and poetic gesture put into motion in (...)

A film by Benoît Labourdette (2’24s, 2019, muet).

Why do we let ourselves be photographed? Based on photos of Mark Neville published in Le Monde “M”.

Collective film (3’04s, 2020).

The image of oneself, the images of others, which are projected on each other..

Collective film (2’14s, 2019).

Assuming self-image on social networks: not so easy!

Collective film (3’10s, 2019).

A revolt of objects against the Internet and its uses.

A film by Benoît Labourdette (0’30s, 2019).

Lil’art is the annual event for the development and the meeting of the artists of the city of Lilas. Film announcement of the 2019 edition. In 2019, I led the making of a collective video creation by a group of artists, which was presented in (...)

A film by Benoît Labourdette (1’08s, silent, 2019).

Younger generations are always more engaged than we think.

Collective film (4’36s, 2019).

In a movie theatre, the objects of our daily lives talk about life with social networks.

A collective film (3’14s, 2021).

Out of the drawers, they come to life and express themselves.

Training day and co-construction of educational tools to work on self-image, designed in collaboration between theMaison de l’image (Noémie Rubat du Mérac, project manager) and Benoît Labourdette. April 26, 2018. Summary of the day on the website (...)

A film by Benoît Labourdette (2’15s, 2020).

A coconut shares her image problems: will she succeed in gaining confidence in her qualities?

It is, on the other hand, a very concrete, very real and generous work (as M. confirmed to me, really) that only I do. It is exceptional (as everyone is exceptional, but I am not less than the others). L. recognized, immediately, the value of (...)

We are in a society of words, and in a society of images. Citizens have become producers and broadcasters of their images, as well as being spectators. The images and their circulations modify in depth the psychosocial dimension of our lives. (...)

Design and delivery of professional training in the field of image education, for teachers, facilitators, responsible for educational facilities, cultural and social, and cinema theater directors. With the new technology tools, to “connect” with (...)

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