Social networks

Training day and co-construction of educational tools to work on self-image, designed in collaboration between theMaison de l’image (Noémie Rubat du Mérac, project manager) and Benoît Labourdette. April 26, 2018.Summary of the day on the website (...)

Collective film (3’10s, 2019).

A revolt of objects against the Internet and its uses.

Collective film (4’36s, 2019).

In a movie theatre, the objects of our daily lives talk about life with social networks.

Collective film (2’14s, 2019).

Assuming self-image on social networks: not so easy!

Video capture of a collective creation directed by Benoît Labourdette. Played on March 26, 2016 at the CNSAD (15 minutes).

“Today, almost everyone takes the stage on digital networks, takes a presence in the gaze of others by self-portraits interposed. What about the place of our lives? What can the theater stage, representation, and poetic gesture put into motion in (...)

A film by Benoît Labourdette (2’15s, 2020).

A coconut shares her image problems: will she succeed in gaining confidence in her qualities?

A film by Benoît Labourdette (1’08s, silent, 2019).

Younger generations are always more engaged than we think.

Collective film (3’04s, 2020).

The image of oneself, the images of others, which are projected on each other..

A film by Benoît Labourdette (2’24s, 2019, muet).

Why do we let ourselves be photographed?Based on photos of Mark Neville published in Le Monde “M”.

How filmmaking workshop practices, if conducted in the right way, can build strong social bonds.

What’s the point of culture? What is cinema? Will we go back to cultural places? Is it necessary to rethink cultural proposals in order to adapt them? But adapt them to what and how? These are fundamental questions that are being asked today by (...)

Design and delivery of professional training in the field of image education, for teachers, facilitators, responsible for educational facilities, cultural and social, and cinema theater directors.With the new technology tools, to “connect” with (...)

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