Rhythm

These 14 musical pieces are the content of my first musical CD, “The erogenous city” (2001), built with real sounds, granularisations and simple percussions. In my way of discovering the musical language, this is the first sign. I used some of (...)

A film by Benoît Labourdette (1’05s, 2020).

A simple stroll can be an invitation to an immediate dazzling journey.

Under the ground, everything is not so black. You feel the rhythm of the world.Instrumental music, 2017, 3’05s. Improvisation by Benoît Labourdette (synthesizers).Improvisation carried out in private, September 5, 2017 (Benoît Labourdette (...)

Loop video by Benoît Labourdette (1’15s, 2000).

Mix of colors.

Second album in 2001, consists of 15 pieces for nightlife, a little claustrophobic in vocal and physical consonances. Composition from actual sound of whispering resonances. Granular soundscape times. Webs of human voice and articulated (...)

Step by step, the ground resounds of every shock of the bare foot that treads it. But at times, it is as if we were flying away.Instrumental Music, 2017, 2’47s. Improvisation by Benoît Labourdette (synthesizers).Improvisation carried out in (...)

Enter where the other is and search within yourself if, illuminated by the stained glass windows, contact with the afterlife is made.Instrumental music, 2018, 2’10s. By Benoît Labourdette (synthesizers and manufactured instrument, the “Turn me (...)

A race of glances in all directions.Instrumental music, 2017,4’14s. Improvisation of Benoît Labourdette (synthesizers).

To cook.Instrumental Music, 2014, 2’20s. Improvisation by Benoît Labourdette (synthesizer).Improvisation carried out in private, October 2, 2014.

Idle rolls on hot stones.Instrumental Music, 2017, 1’37s. Improvisation by Benoît Labourdette (synthesizers).Improvisation carried out in private, September 6, 2017 (Benoît Labourdette production).

To be rocked by the moon. It’s calm at first, and then everything comes alive.Instrumental music, 2017, 3’41s. Improvisation by Benoît Labourdette (synthesizers).Improvisation carried out in private, September 13, 2017 (Benoît Labourdette (...)

Voice-over is often discouraged in academic scriptwriting textbooks, which focus on the dramatic situation rather than on an interiority considered potentially boring. And yet, many films, and even “mainstream products”, successfully use (...)

A film by Benoît Labourdette (3’52s, 2018). Based on an interview with Yves Bonnefoy by Auxilio Alcantar.

To the question “What is poetry?”, the poet Yves Bonnefoy gives an answer that concerns the essential, in terms of philosophy.

Musical creations, often improvised, usually made with an analog synthesizer, in public or private. For improvisations, the general principle is to play a single instrument, to create the whole sound live. No pre-existing rhythm on which to (...)

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