Sticky and granular emotional touches. Instrumental Music, 2017, 2’57s. Improvisation by Benoît Labourdette (synthesizers). Public improvisation carried out as part of a creative evening “Le fil”, June 30, 2017 (Benoît Labourdette production). (...)
A film by Benoît Labourdette (2’42s, 2015).
A very large Canadian lake, metaphor for matrix, birth and disappearance.
To be rocked by the moon. It’s calm at first, and then everything comes alive. Instrumental music, 2017, 3’41s. Improvisation by Benoît Labourdette (synthesizers). Improvisation carried out in private, September 13, 2017 (Benoît Labourdette (...)
Real sounds remixed, 2000, 3’17s. Composition of Benoît Labourdette (granular treatment).
’A scenario that gives, on reading, the sensation of the soundtrack of the film, will have a rare, extremely convincing evocative power. Physiological thinking of the scenario A film is, physiologically, an object that addresses only two of our (...)
A selection of music that I have composed and performed for my films.
Musical creations, often improvised, usually made with an analog synthesizer, in public or private. For improvisations, the general principle is to play a single instrument, to create the whole sound live. No pre-existing rhythm on which to (...)