Interview of Benoît Labourdette on the back of the Breton newspaper Le Télégramme, about the platform By my window, by Guenaëlle Daujon.. Link to the article on Le Télégramme : https://www.letelegramme.fr/france/benoit-labourdette-nous-sommes-tous-des-pra
My job is to make these openings to the creativity of each spectator.
Here are some pictures, bulk, events that took place everywhere in France December 21, 2011 as part of the shortest day.
A film by Benoît Labourdette (5’27s, 2018).
Discovering in the materiality of the world that a work of art is not what it seems.
Sharing my interest in an inspiring personality.
The notion of “cultural rights” is increasingly present in the debates within the cultural sector. They are seen by many as being at the heart of the issues and processes of change in the field of culture. But they are controversial, their very (...)
December 5, 2013 at The Renaissance cinema in Fontenay-le-Comte, evening carte blanche for OFF Festival, with a screening of : Grow, Dominique Cabrera. Films awards at OFF Festival 2013: Beware of friends (Rémi Douence). I’m not a car nor (...)
January 14, 2014 at The Concorde cinema in La Roche-sur-Yon, evening carte blanche for OFF Festival, with a screening of : Grow, Dominique Cabrera. Films awards at OFF Festival 2013: Beware of friends (Rémi Douence). I’m not a car nor Vincent (...)
Birth “The shortest day” was born of a dynamic film professionals, who proposed early 2011 to the President of CNC Eric Garandeau, the concept of a national festival of short films, based on the model of the “Music festival” (which is held on June (...)
Show of the film « Chaque matin » by Benoît Labourdette (5’44, 2013).
In September 2011, we issued this manual, designed to provide a “toolbox” to the potential participants of the shortest day. We Isabelle Massot and myself, “thrown” on paper a lot of ideas of cultural activities that we had both already made in (...)
I believe that inconsistent texts are stronger than explanatory texts. I’m going to dig into that. Because I like it when there is a text, a thread, that helps people. If there is a thread, even if it is absurd, there is still a (...)
Dialogue on creation in virtual reality with Benoît Labourdette (filmmaker and producer, BL Prod) and Teddy Aymard (producer, Le bureau des curiosités), with a moment of practice so that the gesture nourishes the thought. International colloquium (...)
We are in a society of words, and in a society of images. Citizens have become producers and broadcasters of their images, as well as being spectators. The images and their circulations modify in depth the psychosocial dimension of our lives. (...)
Because of the mechanical nature of its technical function, photography is for me a matter of time rather than a visual matter : in its silver salts, or its pixels today, it is time which is captured, preserved, reinvented at every glance. Time (...)