Spectator

December 5, 2013 at The Renaissance cinema in Fontenay-le-Comte, evening carte blanche for OFF Festival, with a screening of : Grow, Dominique Cabrera. Films awards at OFF Festival 2013: Beware of friends (Rémi Douence). I’m not a car nor (...)

January 14, 2014 at The Concorde cinema in La Roche-sur-Yon, evening carte blanche for OFF Festival, with a screening of : Grow, Dominique Cabrera. Films awards at OFF Festival 2013: Beware of friends (Rémi Douence). I’m not a car nor Vincent (...)

Show of the film « Chaque matin » by Benoît Labourdette (5’44, 2013).

Here are some pictures, bulk, events that took place everywhere in France December 21, 2011 as part of the shortest day.

A film by Benoît Labourdette (5’27s, 2018).

Discovering in the materiality of the world that a work of art is not what it seems.

Birth“The shortest day” was born of a dynamic film professionals, who proposed early 2011 to the President of CNC Eric Garandeau, the concept of a national festival of short films, based on the model of the “Music festival” (which is held on June (...)

In September 2011, we issued this manual, designed to provide a “toolbox” to the potential participants of the shortest day.We Isabelle Massot and myself, “thrown” on paper a lot of ideas of cultural activities that we had both already made ​​in (...)

Newspaper article.

Interview of Benoît Labourdette on the back of the Breton newspaper Le Télégramme, about the platform By my window, by Guenaëlle Daujon..Link to the article on Le Télégramme :https://www.letelegramme.fr/france/benoit-labourdette-nous-sommes-tous-des-pra

Post-confinement cultural action project.

Itinerant projections on city walls, in the neighbourhood around a cinema, to experience again the happiness of shared projection, without any fear of health, thanks to the outside and the easy respect of social distancing. The film is also an (...)

My films are streamed here (often with English subtitles). Between experimentation and narration, I often work in series.In all fields of artistic expression, the series is an important figure, because it makes it possible to express a (...)

Because of the mechanical nature of its technical function, photography is for me a matter of time rather than a visual matter : in its silver salts, or its pixels today, it is time which is captured, preserved, reinvented at every glance. Time (...)

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