5 day course : technical basis, strategy and creativity for new media.The students of the “Licence Pro audiovisual designer director” (University Paul Valéry - Montpellier 3 - France) have a multidisciplinary profile, both artistic and technical. (...)
The Franco-German channel ARTE is, like all TV channels, changing the very nature of its activities. ARTE pioneered early on the web (with ARTE Live Web ARTE creative, etc.). These new programs, these new kinds of relationship to the public, and (...)
Stage de 5 semaines (formation en présentiel, à distance ou mixte).
Cette formation approfondie proposée par le CEFPF, dont le formateur référent est Benoît Labourdette, permet l’appropriation des nouveaux langages, technologies et pratiques de l’audiovisuel numérique, dans une perspective de construction (...)
A film by Benoît Labourdette (5’11s, 2014).
The myth of scientific progress. According to Albert Bayet.
Collective film (2’34s, 2013).
Not being where you want to be.
A film by Benoît Labourdette (1’28s, silent, 2020).
Mise en abyme of the presence of human bodies as abstractions, through time, techniques and cultures.
Attempt to create the “ideal” website for a filmmaker:www.jeanbaptistemathieu.fr..Jean-Baptiste Mathieu is a prolific director, who has associated his vision with portraits of artists, experimental and musical videos, theatrical.... He has (...)
The concept of televisionThe goal of “tele-vision” at the beginning, as its name suggests, was able to transmit moving pictures remotely, making “live” that the cinema does not, because you have to develop the film.But how, in the early 20th (...)
You may already have seen these very ugly horizontal lines on video images, very visible in the movements. Therefore we see from time to time ? Where did they come from ? How to get rid ?We must once again, back to the story to understand the (...)
As part of a course “Producing for TV” in CEFPF (European Center for Production of Films), I gave a half-day introductory course on topics “web documentary and transmedia (cross-media).”To locate the “ecosystem” of developments in the sector of (...)
In 2000, I designed a series of 12 films to be broadcasted in loops in different precise ways. “2D” Aesthetics of these purely plastic and infographic films is set in relation to the fact that the television screens at the time have lost their (...)