Content linked to Train

A film by Benoît Labourdette (1’43s, 2009).

Let’s imagine for a moment that this train doesn’t exist anymore...

A film by Benoît Labourdette (2’35s, 2019).

If we each dig a little deeper into our origins, our construction, our experience of the place, what can we understand about ourselves?

The wind in the ears, the clothes that beat, and someone appears.Instrumental, 2014, 4’43s. Composition of Benoît Labourdette (synthesizers).

A film by Benoît Labourdette (1’51s, 1997).

The daily trip pain in the Paris suburbs.

A film by Benoît Labourdette (2000, 1h03 ’).

SynopsisOn digital images digitally reworked where fugitive anonymous silhouettes goes on, a poetic monologue book a disenchanted vision of ghostly ballet of modern life. (Forum des Images)

Loop video by Benoît Labourdette (1’10s, 2013).

Railway buildings designed to accommodate the movement of trains, can be taken as a metaphor of the film projector. With the subtraction of pixels in four layers, the platform of the small station Breton takes a universal (...)

Loop video by Benoît Labourdette (1’10s, 2013).

A digital tribute to the first Lumière films, with these references.

Nine films to present a selection of 2019 winners from the Afnic Foundation for Digital Solidarity. AfnicAfnic is the Internet Registry of domain names in.fr. Its profits are donated to the Afnic Foundation, which supports projects that (...)

Loop video by Benoît Labourdette (1’10s, 2013).

At the end of the afternoon, the shadows are long, which can be interesting for the subtraction of pixels.This station platform in the Paris suburbs is unique it is surelevé over the city, and thus offers an overwhelming views of the (...)

Video loop by Benoît Labourdette (1’10s, 2013).

Raindrops on the window of a moving train. Plan sets a moving object. Metaphor of cinema: the film set in the device records the movement of the world before. In fact, a train is technically a kind of camera. This is not his first goal (which is (...)

A film by Benoît Labourdette (4’10s, 2012).

Music softens morals.

Set of 18 songs composed and performed by Benoît Labourdette. Nine of them are sung, the rest are instrumental. Music and sound material is constructed from samples of organs and sounds of the world. The lyrics are written without the help of (...)

A film by Benoît Labourdette (3’08s, 2011).

A station dock, a Flip camera on the ground, the voice-over of the stationmaster, waiting travelers, a train arriving...

Video creation by Benoît Labourdette (3’51s, 2014).

The invention of landscape.

Loop video by Benoît Labourdette (1’10s, 2013).

Human beings to the descent of a train. Each figure shows that passes through its movement in the layers of the image, which was hidden there.

A film by Benoît Labourdette (1h07’, 1994).

A tale of naivety and double personality, accompanied by Balinese songs and improvised jazz.Shot in Super 8 cinema. First self-produced feature film.

As part of the session “Documentary experiences : childhood” organized by FranceDoc, April 24, 2015 at 19:30 at EnCours in Paris, screening of the film :Vire, next stop (Benoît Labourdette 3’48, 2013). Full program of the sessionFranceDoc (...)

A film by Benoît Labourdette (3’48s, 2013).

One day a train. Chopped audiovisual form, from which emerge childhood memories, confrontation with the self-forgetfulness.

Film by Benoît Labourdette (1’16s, 2010).

The trip, since the invention of the train, is a very dangerous mechanical operation. So musics, mechanical also. The landscape it also is filled with these mechanisms. Mechanisms at all levels.

Report of the “Journal de Haute Marn”e during the filming of the documentary « Lonelies of the streets ». Published Wednesday, February 24, 2016. A director at the chapel of the JesuitBenoît Labourdette, director, came to Chaumont last week. His (...)

Collective film (1’37s, 2014).

Sentiments of abandonment...

Workshops for filmmaking with pocket cameras that I run through schools of art, cinema and other vocational training centers (Femis, Le Fresnoy, ESAV Toulouse, CEFPF,Imagine Institute Ouagadougou...). Appropriating very light production (...)

Within the framework of professional trainings, educational workshops and other cultural activities, I regularly propose the production of collective films. Strong moments of group formation, sharing of imagination. Here is the principle: in (...)

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