It has its full and complete value. And then it is linked, it carries, my psychological state of the time, which made me want to hear that at that time. It still has value today, it will still have value tomorrow. So, I can, without any problem, (...)
And, frankly, the pictures I was doing at 20, the music I was doing at 30, and the movies I’m doing at 40, of course I’ve come a long way, but there’s not that much of a hierarchy. So I have all the respect to have for what people younger than me (...)
Film by Benoît Labourdette (3’34 s, 2016).
Reading of the last paragraphs of “’Remembrance of Things Past” by Marcel Proust. Links between literature, painting and movement.
Collective film (4’37s, 2019).
Intimate testimonials of objects that feel lonely or abandoned.
One of the first difficulties of writing the script is the macroscopic structure, ie the general sense of the narrative. Forget Syd FieldThere are, of course, the famous “three-act structure,” dear to Syd Field (see his famous book Screenplay), (...)
Photographs, paintings, drawings, assemblies and texts by Benoît Labourdette (unless otherwise stated).