L.I.N.E.

30 June 2014. Published by Benoît Labourdette.

A voice emerges from the field of image and sound.

Voice

What is a voice device ? Air flowing at certain speeds and power in a three-dimensional body moving in contractions-relaxations in various parts of its volume, various rhythms and intensities, the vibration setting in many ways, depending on the material, that is itself varied. All this produce phonemes that will form the articulated words, by what is called the voice. Speaking voice, singing voice ...

These simple principles are embodied in such a rich reality of possibilities it has not been so far successful to be fully modeled by man artificially.

So there are still some exciting mysteries in the formation of the human voice.

Metaphor

This is the metaphor of voice fabrication that is at work in the work of making this film. Lines, movements, their inflections, their rhythms, breathing that animates and sudden pressure changes of muscles holding the camera, visually tangible, are an exploration fantasized vocal device. But this metaphor is only mine in “behind the scenes”. It is not the film.

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Observe an obscure oblique obstacle

The kaleidoscope, a figure made up of mirrored replications of the same image, offers a very “organic” vision of things. Like a visual metaphor for cell division, it opens up a realm of perceptions and emotions far beyond the mere decoration it might at first appear to embody. This figure, very rare in films, has always questioned me, which is why I’ve been exploring it in film for a long time.

It’s been a nice surprise to see animated kaleidoscopes flourishing on screens over the last four or five years, in film and series credits in particular. I invite you to read the manifesto text on the practice of animated kaleidoscopes, which I wrote ten years ago, in 2014: « Thinking about moving kaleidoscope image ».