A film by Sylviane Bertrand and Benoît Labourdette (1’, silent, 2018).
A simple painting can create controversy in a couple.
A film by Benoît Labourdette, based on an idea by Nassera Tamer (2’25s, 2020).
Love we live it, it guides us or overwhelms us, we enjoy it or suffer from it... but by the way, what is it, exactly?
A film by Benoît Labourdette (1’55s, 2020).
The couple seems to be an evidence in the construction of love and family. Let’s lift the veil on its true history.
A collective film directed by Benoît Labourdette (1’43s, silent, 2017, collective : Alice, Morgane, Romain, Benoît).
The meaning of life on earth, summarized by a few key words.
A film by Benoît Labourdette and Lucie Vedel (36s, mute, 2017).
I love you a little, a lot, passionately...
A film by Benoît Labourdette (5’44s, 2013).
Charles, 37-year old boy who lost his mother a year ago, sometimes perceive the world in a distorted way, multiplied, time and space losing their reality. A meeting will change his life.
A film by Benoît Labourdette (1’22s, 1998).
Ode to childbirth by a young adult.
A fragile and nostalgic portable grand piano, played in everyday life, subways, trains, cabs, streetcars, offices and lounges, day and night. Download Benoît Labourdette’s album “Vibrant Box (2021)” for free Played on Arturia American Grey Road (...)
A film by Françoise Simpère et Benoît Labourdette (2’13s, 2020).
What we know we’ll take with us on the day we die is probably what can feed our life energy.
A film by Benoît Labourdette (2’20s, 2019).
The disorder, the inner disorder caused by the love break-ups are in no way diminished by plural love...
Interview of Benoît Labourdette on the back of the Breton newspaper Le Télégramme, about the platform By my window, by Guenaëlle Daujon.. Link to the article on Le Télégramme : https://www.letelegramme.fr/france/benoit-labourdette-nous-sommes-tous-des-pra
A film by Benoît Labourdette (3’23s, 2010).
Musical nostalgia in the subway in Toronto.
A film by Benoît Labourdette (1’29s, 2019).
Giving life, being, giving a hand, discovering it.
Collective film (4’07s, 2016).
The calm introspective intimacy of everyday objects.
A film by Benoît Labourdette (1’38s, 2019).
Many lovers? How to manage the schedule?
A film by Benoît Labourdette (2’38s, silent, 2017).
A so negative feeling...
A film by Benoît Labourdette (4’08s, 2019).
In 1816, Charles Fourier, in his text “The new world of love”, provides scientific proof that the couple, the only form of love legitimized by Western society, necessarily leads to situations of selfishness, lies and betrayal, which are at the (...)
A film by Benoît Labourdette (1h07’, 1994).
A tale of naivety and double personality, accompanied by Balinese songs and improvised jazz. Shot in Super 8 cinema. First self-produced feature film.
Two voices exchange, respond, listen, not always, and sometimes are in unison. Instrumental Music, 2017, 2’12s. Improvisation by Benoît Labourdette (piano). Improvisation carried out in private, September 6, 2017 (Benoît Labourdette (...)
Series of photographs. An impromptu kiss ... Parisian tradition? And how our gaze transforms it. One morning in 2007, among the white-collar workers who run to their offices in the towers of the Parisian business district of La Défense, a scene (...)
This particular tension, open or not, or even this fear sometimes linked to desire, which the characters themselves seem to express through their respective postures.
Video Creation by Benoît Labourdette (2’39s, 2014).
Attempt to visual representation of the vocal machine.
A film by Benoît Labourdette (4’09s, 2014).
Where is our body ?
A film by Benoît Labourdette (2’53s, 2016).
How a past love dissolves in present loves.
A film by Benoît Labourdette (2’00s, 2019).
How a love disappointment leads to even more love.
A film by Benoît Labourdette (2’22s, 2019).
How life, even in its most painful moments, can show us the way to love.
A film by Benoît Labourdette (2’12s, 2014).
Facets of a vision of the feminine, fragmentary.
Set of 18 songs composed and performed by Benoît Labourdette. Nine of them are sung, the rest are instrumental. Music and sound material is constructed from samples of organs and sounds of the world. The lyrics are written without the help of (...)
How a single word, the most important of words, reveals different facets only through the way it is written.
A film by Barbara Gougeon, Linda Fardon, Benoît Labourdette (1’21s, silent, 2018).
A chaste encounter.
Collective film (3’02s, 2015).
Hands of humans from all over the world are talking through their tattoos, to music in a building by Le Corbusier.
A film by Benoît Labourdette, with the collaboration of Marie Désert, François Cany and Jean-Baptiste Hanak (1’00s, 2020).
Palimpsest of confined lives, of pictorial references, of nascent love, of graphic and audiovisual performance, between Paris and Nantes in 2020.
A film by Benoît Labourdette (2’37s, 2016).
A place, where the memory of a tipping in life resides.
A film by Benoît Labourdette (5’44s, 2018).
Life is freedom and love.
Collective film (4’37s, 2019).
Intimate testimonials of objects that feel lonely or abandoned.
A film by Benoît Labourdette (2’18s, 2020).
Why should one have to be imprisoned to be able to love?
Collective film (7’22s, 2017).
Words dance to make racism and discrimination vanish.
Collective film (3’, 2013).
[At the water’s edge, we confide in each other.]
A film by Benoît Labourdette (3’36s, 2019).
An inaccessible child’s dream, in a lost house in the woods.
Collective film (4’36s, 2019).
In a movie theatre, the objects of our daily lives talk about life with social networks.
Collective film (4’42s, 2016).
Exist? In time, in space, in poetry... in the image?
Film by Benoît Labourdette (1’31s, 2010).
A tree in the middle of a street. It’s simple and banal. But if we explore its surface, its bark, we discover stories. All the stories that took place around, including the tree retains traces, etched on him, like so many tattoos. Love, venue, (...)
A film by Benoît Labourdette (12’56s, 2016). With Bénédicte Loyen.
Feverish dream in a baroque chapel. A vanitas with words.
A film by Benoît Labourdette (5’04s, 2016).
A rat race, to mourn the departure of the beloved.
A film by Benoît Labourdette (8’33s, 2012).
A little piece of nature in the middle of the city is a microcosm of nature impulses of life. Love, the mix of bodies, dramas, reunion, always. Crosses of stories on feelings and bodies.
A film by Benoît Labourdette (10’06s, 2015). With Marion Geerebaert.
After the death was sown into arbitrariness, a young woman comes back to haunt her mate.
A film by Benoît Labourdette (1’23s, 2020).
Place of life, what is it? More than a place, perhaps it’s the time in which one lives the things that are important to one’s self.
A film by Benoît Labourdette (2’31s, 2020).
The most beautiful memories can be without nostalgia, because life goes on.
A film by Benoît Labourdette (5’09s, 2018).
A film can be like a spiritual, philosophical object, a text that accompanies our lives and teaches us new things every time we watch it.
A film by Benoît Labourdette (6’11s, 2018).
A traumatic event disrupts the past, the present and the notion of reality.
A film by Benoît Labourdette (3’18s, 2011).
Invent a tale. Ground the story into reality. Why does the shape of the tale in 2011 ? Probably to make again metaphor, universal. A simple love story.
A film by Benoît Labourdette (2’41s, 2016).
The intimate perception of the inner voices of passing humans, which leads to a choice of life.
A film by Benoît Labourdette (4’44s, 2012).
Autofiction on adultery.
A film by Benoît Labourdette (3’02s, 2012).
A touch film, made of paper and words.
A film by Benoît Labourdette (0’54s, muet, 2020).
Bibliography in 2020 for the emancipation of women and men.
A film by Benoît Labourdette (3’19s, 2011).
The trace, in the places, of the stories and dramas that took place there. A reserved parking space, another reserved parking space, empty at the moment we look at them, but which have seen so many people and life stories... who can tell so (...)
Here the letters do not touch, which does not take anything away from the depth of their dialogue; it is courteous love.
Love is a lure. The meeting is real. The sharing of the present is real. But love does not exist.
The Polyamory series consists of very short films that challenge assumptions about love. These are graphic works linked to synthetic texts, with scientific or testimonial value. Love is a subject that is as much overused as it is little (...)