A film by Benoît Labourdette (2’56s, 2019).

A place visited today, empty, where I lived so many things a long time ago.

A film by Benoît Labourdette (2’55s, 2009).

Let’s imagine for a moment that these air launchers are flame throwers...

Un film de Laura (0’43s, 2009).

Simple description of her bedroom window.

A film by Benoît Labourdette (1’21s, 2020).

A fire that burns us, captured by nature.

Benoît Labourdette’s movies in a travelling projection program in Arras (France).In the context of the manifestation of contemporary art “Call for air” in Arras, I proposed a travelling screening of a selection of my films. Projections on walls, (...)

A film by Benoît Labourdette (3’37s, 2015).

Living the rustle of the world, between vegetal force, air power, and organization, speech and human culture, beyond the borders of all kinds.

Collective film (3’02s, 2015).

Hands of humans from all over the world are talking through their tattoos, to music in a building by Le Corbusier.

A film by Benoît Labourdette (2’27s, 2015).

Children’s games in the rain. Danger lurks.

A collective film directed by Benoît Labourdette (1’43s, silent, 2017, collective : Alice, Morgane, Romain, Benoît).

The meaning of life on earth, summarized by a few key words.

A film by Benoît Labourdette (2’41s, 2016).

The intimate perception of the inner voices of passing humans, which leads to a choice of life.

A film by Benoît Labourdette (7’59s, 2016).

Political commitment begins in look and name what we see.

Video-vegetal installation.Into the International Garden Festival of Chaumont-sur Loire, the landscape architect Jean-Philippe Poirée-Ville has created a vegetable sculpture, in a basement, as a large liana levitating in the dark. I worked on (...)

A film by Benoît Labourdette (37s, silent, 2017).

Behind barks, utopia.

A film by Benoît Labourdette (1’55s, silent, 2017, pseudonym: Bob Boss).

When nature brings us back to the Sacred.

Collective film (1’37s, 2014).

Sentiments of abandonment...

Loop video by Benoît Labourdette (1’10s, 2013).

A bridge over the Marne. Classic about the Impressionist painters. Reinterpreted in my own way, in addition and subtraction of pixels of different times.

A film by Tristan (0’05s, 2009).

So beautiful fragile poetry of the lack of inspiration.

A film by Benoît Labourdette (2’40s , 2015).

Poetics of road signs in mountainous areas.

Collective film (4’11s, 2016).

In a park, games of seduction of things at pivotal moments in their lives.

Un film de Christopher (0’50s, 2009).

Almost without comment, the image speaks alone, its deep and simple language.

Collective film (1’51s, 2019).

Post the images in 360°, literally.

A film by Benoît Labourdette (3’26s, 2020).

Folds and folds of souls, architectures and life itself, made of synesthetic resonance. Gilles Deleuze adding to Leibniz.

A film by Benoît Labourdette (0’54s, silent, 2019, pseudonym: Marc Z.).

Social networks benefit from everything, even human tragedies.

Video creation by Benoît Labourdette (2’58s, 2014).

The small trace left on a surface, on a “skin”, is perhaps the most important thing there is.

A film by Benoît Labourdette (8’33s, 2012).

A little piece of nature in the middle of the city is a microcosm of nature impulses of life. Love, the mix of bodies, dramas, reunion, always. Crosses of stories on feelings and bodies.

A film by Benoît Labourdette (2’41s, 2009).

Let’s imagine for a moment that this tree is a real tree...

Collective film (3’27s, 2015).

In nature, objects sing to give themselves courage.

A collective film, initiated and edited by Benoît Labourdette (1h01’, 2009-2020).

Look out your window at home, and think of an important memory.This collective film is composed of 44 videos (among 500 made) shot by people in France, Algeria and Tunisia, between 2009 and 2013, in creative workshops led by Benoît Labourdette. (...)

A film by Françoise Simpère and Benoît Labourdette (6’38s, 2020).

A walk, an intimate dialogue with oneself and with nature, a path to find oneself, to be in the world. A film born from a dialogue between images and text.

Collective film (4’34s, 2016).

In nature, objects share their digital experiences.

Film by Benoît Labourdette (1’31s, 2010).

A tree in the middle of a street. It’s simple and banal. But if we explore its surface, its bark, we discover stories. All the stories that took place around, including the tree retains traces, etched on him, like so many tattoos. Love, venue, (...)

A film by Benoît Labourdette (2’21s, 2019).

When an architecture made of glass reveals its intrinsic abstraction.

A film by Benoît Labourdette (3’31s, 2018).

Contemplating the world through a lens that multiplies it may mean finding oneself in front of oneself, feeling that one is part of the world, and rebuilding oneself in this way.

Series of photographs. Variation on the experience of a Parisian sidewalk.Shoot with the body, the hand that triggers the camera being an integral part of the optical system. Its presence before / with the objective diffracts the light rays to (...)

A film by Benoît Labourdette (4’36s, 2018).

Contemplative quest for meaning in an abandoned summer camp.

Lying down, not being able to move, but turning your head, trying to look behind you.Instrumental music, 2017,2’19s. Improvisation of Benoît Labourdette (synthesizers).Improvisation realized under private seing on January (...)

Collective film (3’, 2013).

[At the water’s edge, we confide in each other.]

Premiere of the film “Tell me LED” (France, 2016, 65 minutes), Friday, January 8, 2016 at 20:30. Cinéma Le Méliès, 12 Place Jean Jaurès - 93100 Montreuil - France. “Mairie de Montreuil” metro station. Free admission by reservation : reservation (...)

I published the article “Lives in Pictures” in the June 2016 issue of the Spirit Journal on the theme “Power of Images”. Issue edited by Carole Desbarats. Presentation text of the article “Lives in Pictures”Smartphones and digital platforms have (...)

Musical creations, often improvised, usually made with an analog synthesizer, in public or private. For improvisations, the general principle is to play a single instrument, to create the whole sound live. No pre-existing rhythm on which to (...)

Shoot movies with mobile phones as of 2005, when cameras appear in phones, shoot movies with drones from 2013, when he sold quantities at Christmas, use standalone portable projectors to project movies in the streets, deflect the techniques of (...)