Journal

A film by Benoît Labourdette (1’57s, 2019).

Diffraction of the vision, relationship to the stars, entering Leonardo da Vinci’s mind.

Collective film (2’43s, 2018).

Objects rise.

A film by Benoît Labourdette (1’25s, 2010).

Hands, or rather the hand, is a subject that matters to movies shot with handheld cameras : the camera in one hand, that films the other hand.

A film by Benoît Labourdette (2’19s, silent, 2018).

Who is she, the one who must reinvent herself for the survival of all of us? What’s her name?

A film by Sylviane Bertrand, Benoît Labourdette and Nordine Salhi (1’, silent, 2018).

Calligraphy of bodies, crossing a history of cinema, between black and white.

Collective film (2’47s, 2019).

When media objects revolt.

A film by Benoît Labourdette (2’08s, silent, 2017).

Prepare for a troubled comeback.

A film by Benoît Labourdette (0’58s, 2019).

The staging of our intimate journey through daily information. Would the world be transparent?

Projection hors compétition du film « Le baiser 1234567 » de Benoît Labourdette (13’, 2013).Le “Olonne Film Festival” est un événement de grande qualité autour du cinéma autobiographique.J’étais en 2015 membre du jury du Festival, aux côtés de : (...)

Screening of the film « The Captain Thanase » (documentary on the stage director André Malartre, co-directed by Martine Stora and Benoît Labourdette) as part of the exhibition, “Présence André Malartre” (City of Caen, November 2016-January 2017, (...)

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