Content linked to Black and white

Video creation by Benoît Labourdette (3’46s, 2014).

Memories, drawned on walls, faces.

A film by Benoît Labourdette (55s, silent, 2017, pseudonym: Aristide B.

The same ritual over and over again.

A film by Benoît Labourdette (1’38s, silent, 2017, pseudonym: Malcolm).

The face of racism are the words.

A film by Benoît Labourdette (3’23s, 2010).

Musical nostalgia in the subway in Toronto.

A film by Benoît Labourdette (1’21s, silent, 2017, pseudonym: Jean-Jacques).

To look at each other, to face our violence.

These letters must touch each other, without mixing their bodies.

A film by Benoît Labourdette (2’00s, 2016).

As if we vibrated in the strings of the instrument, the Greek Santouri, as if one lived its inner music.

A film by Benoît Labourdette, in collaboration with Louise Moaty (3’59s, 2014).

Charlotte Delbo’s words emanate from human traces of people who were living there a few hours earlier.

Manufacture of QR Codes (Flashcodes) extracts of the film “Mr. Hulot’s Holiday” at the scene of the shooting. Cultural ProjectThe association “The beautiful holiday” in Saint Marc sur mer (France), seaside town where was filmed the movie “Mr. (...)

A film by Benoît Labourdette (7’42 s, 2016).

Documentary on the exhibition of photographs “Lonelies from the streets” by Benloÿ, at the chapel of the Jesuits, Chaumont (France).

A film by Benoît Labourdette (1’, mute, 2017, pseudonym: Norbert).

Identity has other words in it.

A film by Sylviane Bertrand, Benoît Labourdette and Nordine Salhi (1’, silent, 2018).

Calligraphy of bodies, crossing a history of cinema, between black and white.

A film by Benoît Labourdette (2’24s, 2019, muet).

Why do we let ourselves be photographed?Based on photos of Mark Neville published in Le Monde “M”.

A film by Benoît Labourdette (53s, silent, 2017, pseudonym: John B.).

Write the language differently, reinvent our place in the world.

A film by Benoît Labourdette (6’29s, 2013).

A former disused hotel on the Place du Capitole in Toulouse is the scene of an inner musical divagation.

A film by Benoît Labourdette (1’02s, 2019).

Everyone’s utopia is perhaps a drawing centred on trust.

Calligraphic explorations, unique words inspiring their form of drawing.

Collective film (2’01s, 2019).

Daytime round in blue: collective creation of images in a relaxing moment. Seeing and seeing each other differently.

A film by Benoît Labourdette (1’28s, silent, 2020).

Mise en abyme of the presence of human bodies as abstractions, through time, techniques and cultures.

A film by Benoît Labourdette (5’11s, 2014).

The myth of scientific progress. According to Albert Bayet.

Video installation. These are one-minute videos to be broadcast repeatedly on black surfaces. Work on the sensation of the landscape, the project to transmit an immediate impression. As a mix between Lumière and impressionist paintings ... made (...)

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