A film by Benoît Labourdette (2’24s, 2019, muet).

Why do we let ourselves be photographed?Based on photos of Mark Neville published in Le Monde “M”.

Un film de Benoît Labourdette (1’08s, muet, 2017).

To move your eyes, in words and in the world, is to create the landscape.A film by Benoît Labourdette (1’08s, silent, 2017).

Loop video by Benoît Labourdette (1’10s, 2013).

A digital tribute to the first Lumière films, with these references.

Un film de Benoît Labourdette (1’38s, 2019).

Utopia in everyday life....

A film by Benoît Labourdette, 4 minutes, 2009, digital, Scope 2.35, Color, stereo.

We meet a homeless in the street and we forget, one minute later.

A film by Benoît Labourdette (3’14s, 2018).

The importance of a work of art lies in its form, for this is how it changes the way of looking at the world.

Inventing art forms, filmed with drone.The Company, place of contemporary art in Marseille, led by Paul-Emmanuel Odin, invited me to offer to local youth, in the central and very popular in Marseille where it is an audiovisual creative (...)

Article on the site Popular University of Pictures (UPOPI). On the representation of the world that drones are changing.The Popular University of Pictures is an editorial site for educational purposes established by CICLIC, the Pole of Picture (...)

Exploring the issues of pictures made by drones, in workshops for children.On 27 September 2014, as part of the launch day of the season for young audiences at the Pompidou Centre (Paris, France), I proposed a foreshadowing workshops (...)

A film by Erwin (1’09s, 2009).

Share with your little brother the description of where you are looking.

Looking around, turning your head, turning on yourself.Instrumental Music, 2017, 2’09s. Improvisation by Benoît Labourdette (synthesizers).Improvisation carried in private, September 14, 2017 (Benoît Labourdette (...)

Video platform

On 1 April 2020, during the period of confinement in France, I opened the video contribution platform www.parmafenetre.fr..Following the numerous feedbacks I received, creating these films, as much as watching them, did a lot of good to those (...)

A film by Benoît Labourdette (2’36s, 2015).

Walking in his intimate night, motionless, his eyes moving behind their closed eyelids.

ThoughtsRecently, drones equipped with cameras are accessible to the public. Ie the flying camera, previously reserved for seasoned professionals or army becomes “democratic.” This camera can produce images of the sky views and movements that no (...)

For a few months at the end of 2010, I am committed to photographing cameras to observe the machines through which we observed in our knowledge everywhere and all the time. This has produced this series of 52 photographs. Dare to face the eye (...)

A film by Benoît Labourdette (1’42s, silent, 2017, pseudonym: Joset ’).

The spiral of a mind full of unanswered questions.

A film by Benoît Labourdette (2’27s, 2019).

Dead animals are helplessly witnessing human violence.

Lying down, not being able to move, but turning your head, trying to look behind you.Instrumental music, 2017,2’19s. Improvisation of Benoît Labourdette (synthesizers).Improvisation realized under private seing on January (...)

A film by Faouzia (2’33s, 2019).

Discover an inner world through a visit to an apartment with a 360° camera.

Express Training about the basics and best practices of digital video, for the authors of the SCAM.The SCAM (Civil Society of Multimedia Authors) has for the first time offered its members technical training, because everyone is increasingly (...)

Territory, digital, culture, participation, participation, creativity... keys to understanding and methodologies for relevant and innovative projects.The Observatory of Cultural Policies in collaboration with l’office organized from 30 January (...)

The Benoît Labourdette production company (SASU with a capital of 15000€ - SIRET : 818 146 146 128 00017 R.C.S. PARIS - NAF Code 5911C) is an agile working tool, which allows me to build creative, technical, educational and consulting services. (...)