Collective film (4’22s, 2019).
They lost, or they won, they testify atypically.
A film by Benoît Labourdette (1’24s, silent, 2018).
Musical and pictorial exchanges of looks, faces, sexes, bodies, times...
A film by Benoît Labourdette (2’21s, 2019).
When an architecture made of glass reveals its intrinsic abstraction.
A film by Benoît Labourdette (53s, silent, 2017, pseudonym: Stéphane G.).
“No one shall be disturbed for his opinions, even religious ones, provided their manifestation does not disturb the public order established by law.”
Collective film (3’19s, 2018).
The little object people of a building courtyard.
Collective film (3’38s, 2016).
What if the books spoke?
A film by Benoît Labourdette (3’27s, 2018).
Gather around a book, gather yourself.
Film by Benoît Labourdette (2’21s, 2010).
Blood on the hands... who can pretend not to have some, even indirectly?
A film by Benoît Labourdette (2’42s, 2018).
Work, potential factor of emancipation that can carry in itself its own reversal.
Revisit the principles of four-colour printing, with inks and ashes. Fifteen “numerical paintings”.Mechanical colour reproduction does not use the same primary colours as in painting. There are only three: Red, Green and Blue. On computer (...)
A film by Benoît Labourdette (2’12s, 2018).
We’re all taking the same stairs. We meet each other there, every morning and every evening. We’re pretending nothing.
Video Creation by Benoît Labourdette (2’17s, 2014).
Enter somewhere. Not so simple...
Collective film (6’15s, 2020)
Like a little story of writing and looking, from paper to screens.
A film by Benoît Labourdette (2’18s, 2017).
Diving inside the organic movement of the wind maybe.
A film by Benoît Labourdette (2’17s, 2020).
Back to the place that resources us.
A film by Benoît Labourdette (2’09s, 2010).
Let’s imagine for a moment that the sky is red...
Benoît Labourdette’s film and music (2’07s, 2018).
What is life? Can simple little plastic animals help us find the answer to this question?
The films gathered here were made in a collaborative way in 2019 as part of the participatory artistic action DIA LOG, which accompanies the changes in the Les Navigateurs district of Choisy-le-Roi. Immersed in the eyes of the children of the (...)
“Identicals, the daily impressions” : impressions of everyday life, short episodes, less than 2 minutes, kinds “look at stopping” the fleeting moments, which, if one stops for a moment, reveal their depth.The starting point of my use of video (...)