A film by Benoît Labourdette (2’17s, 2020).
Back to the place that resources us.
Collective film (4’22s, 2019).
They lost, or they won, they testify atypically.
Revisit the principles of four-colour printing, with inks and ashes. Fifteen “numerical paintings”.Mechanical colour reproduction does not use the same primary colours as in painting. There are only three: Red, Green and Blue. On computer (...)
A film by Benoît Labourdette (2’12s, 2018).
We’re all taking the same stairs. We meet each other there, every morning and every evening. We’re pretending nothing.
A film by Benoît Labourdette (2’09s, 2010).
Let’s imagine for a moment that the sky is red...
A film by Benoît Labourdette (3’27s, 2018).
Gather around a book, gather yourself.
Video Creation by Benoît Labourdette (2’17s, 2014).
Enter somewhere. Not so simple...
A film by Benoît Labourdette (1’24s, silent, 2018).
Musical and pictorial exchanges of looks, faces, sexes, bodies, times...
A film by Benoît Labourdette (53s, silent, 2017, pseudonym: Stéphane G.).
“No one shall be disturbed for his opinions, even religious ones, provided their manifestation does not disturb the public order established by law.”
Collective film (6’15s, 2020)
Like a little story of writing and looking, from paper to screens.
A film by Benoît Labourdette (2’18s, 2017).
Diving inside the organic movement of the wind maybe.
Collective film (3’38s, 2016).
What if the books spoke?
A film by Benoît Labourdette (2’42s, 2018).
Work, potential factor of emancipation that can carry in itself its own reversal.
Film by Benoît Labourdette (2’21s, 2010).
Blood on the hands... who can pretend not to have some, even indirectly?
Collective film (3’19s, 2018).
The little object people of a building courtyard.
A film by Benoît Labourdette (2’21s, 2019).
When an architecture made of glass reveals its intrinsic abstraction.
Projection on the ten screens of EP7 - The digital dance hall (Paris, Bibliothèque Nationale de France) of a selection of films by Benoît Labourdette shot with a drone (18-minute loop video), along with other works chosen by the Mobile Camera Club (...)
The daily Ouest France published an article on « Kaleidoscope show » at Les Sables d’Olonne (France), January 15, 2015.http://www.ouest-france.fr/faire-vi... ArticleMake live movies outside the walsSmall lantern association organized Friday (...)
Because of the mechanical nature of its technical function, photography is for me a matter of time rather than a visual matter : in its silver salts, or its pixels today, it is time which is captured, preserved, reinvented at every glance. Time (...)
My films are streamed here (often with English subtitles). Between experimentation and narration, I often work in series.In all fields of artistic expression, the series is an important figure, because it makes it possible to express a (...)