Sensitive

The fear of the blank page ... How to write a screenplay? Each has its engines, ways of inspiration, which are discussed shortly. Include Jean-Claude Carrière, who said “imagination is a muscle.”A common feature of all the writersThis is probably (...)

How a single word, the most important of words, reveals different facets only through the way it is written.

The criteria of compositionWhen we do the framing of an image with a camera, we often use the classical criteria of image composition, inherited from the tradition of figurative painting. Which is quite natural. Things as we see them in the (...)

The Cinematheque of Martigues offers a program of films by Benoît Labourdette. “From the sensitive to the camera”Benoît Labourdette’s film program, from April 1 to 15, 2017, as part of the exhibition “Films in the Pockets”.Presentation textTo (...)

A film by Benoît Labourdette (2’45s, 2021).

Digital meditation.

Marie Vermillard is a director (Lila Lili, Small revelations, Spoken suite ...). She has directed a short film in 2011, “Blinded bellow”, with mobile phone.In this interview, she explains how the proposal I made her to shoot a film with mobile (...)

Video creation by Benoît Labourdette (3’18s, 2014).

I have always been very afraid of the inside of the body.

www.imaginem.frWorkI supported: Support the definition of the project. Design and ergonomics. Web Development. Training editors (setting text line images, videos).ProjectThe Imaginem Association, led by Philippe Troyon (co-director of (...)

Video creation by Benoît Labourdette (2’58s, 2014).

The small trace left on a surface, on a “skin”, is perhaps the most important thing there is.

Loop video by Benoît Labourdette (1’50s, 2000).

Repetitive synthetic voice that seeks to feel the incarnation behind the abstraction.

Filming with a drone singularly change the view of the world, and perhaps the film writing, in political and sensitive aspects.As part of the study day “Framing/deframing Editing/Disediting - The aesthetic challenges of connected audiovisual (...)

The drone, this flying camera that comes among us, raises, for a filmmaker, important issues. Military object, object for surveillance and death, object of cartographic ubiquity by multinationals, and soon business purpose, delivery device. (...)

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