A film by Benoît Labourdette (2’56s, 2019).
A place visited today, empty, where I lived so many things a long time ago.
A film by Benoît Labourdette (2’31s, 2020).
The most beautiful memories can be without nostalgia, because life goes on.
A collective film, initiated and edited by Benoît Labourdette (1h01’, 2009-2020).
Look out your window at home, and think of an important memory.This collective film is composed of 44 videos (among 500 made) shot by people in France, Algeria and Tunisia, between 2009 and 2013, in creative workshops led by Benoît Labourdette. (...)
Loop video by Benoît Labourdette (1’10s, 2013).
Sometimes, in the Paris metro, thanks to work, the walls are stripped of their posters for a facelift. So, during the time of repair, there are still traces, such as scratches that make the ancient pieces of posters. No more commercials, but (...)
A film by Benoît Labourdette (1’22s, silent, 2017, pseudonym: The child).
Leafing through the old photographs of the collective unconscious is to return to oneself.
A film by Benoît Labourdette (6’28s, 2016).
Remember the presence of the lost loved one in a hotel room surrounded by sand.
A film by Benoît Labourdette (2’33s, 2021).
Myopia can be triggered by trauma. We are left with poetry.
Loop video by Benoît Labourdette (4’30s, 2000).
From a loop of an ambiance sound of an amateur video, building a digital abstract object, that the soundtrack anthropomorphise.
A race of glances in all directions.Instrumental music, 2017,4’14s. Improvisation of Benoît Labourdette (synthesizers).
As part of the session “Documentary experiences : childhood” organized by FranceDoc, April 24, 2015 at 19:30 at EnCours in Paris, screening of the film :Vire, next stop (Benoît Labourdette 3’48, 2013). Full program of the sessionFranceDoc (...)
Loop video by Benoît Labourdette (1’, 2000).
If there was a personal theme in this film, it should be filling a form, the body. The paradigm shift made by digital on this question of fullness : everything is overflow.
A film by Benoît Labourdette (2’59s, 2016).
The attic of an old house, which conceals an unexpected teaching.
A film by Benoît Labourdette (3’48s, 2013).
One day a train. Chopped audiovisual form, from which emerge childhood memories, confrontation with the self-forgetfulness.
A film by Benoît Labourdette (2’48s, 2013).
This old house and this rain remain me a memory from when I was a child, in a classroom...
A film by Françoise Simpère et Benoît Labourdette (2’13s, 2020).
What we know we’ll take with us on the day we die is probably what can feed our life energy.
Happy memories, slowed down by the late hour.Instrumental music, 2017, 2’21s. Improvisation by Benoît Labourdette (piano).Improvisation carried out in private, September 6, 2017 (Benoît Labourdette (...)
Collective film (4’32s, 2020)
When images and objects close to the body lead to shared collective memories of important moments.
Remember an old organ in this dusty church. Teenager, with in the headphones of the walkman some 1970s rock.Instrumental Music, 2017, 2’19s. Improvisation by Benoît Labourdette (synthesizers).Improvisation realized under private seing on (...)
A film by Benoît Labourdette (2007, 1h04’).
SynopsisOne man and one anonymous anonymous evokes the difficulty of living in broad daylight in the shadow of the most fatal hour of contemporary history. The shadowy memory of the Holocaust which obscures the daily seeks desperately (...)
A film by Benoît Labourdette (3’52s, 2017).
The remembrance of a drama, and an unexpected confession.